ALEXANDRU PAPUC 70 x 100

Alexandru Papuc found, this time not using book sources, but personal practice, that while painting is a creator of space, the represented image is usually vivid and dynamic, thanks to the chromatic relationships and the effects of perspective, sculpture does nothing but stand in space, often risking being perceived as a simple object.

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ALEXANDRU PAPUC
Romania | Artist

Although during his studies and for a long time after that he didn’t even want to hear about colors, color mixtures, brushes or an easel, the sculptor Alexandru Papuc started painting about three or four years ago. The most convenient explanation for this unexpected change of plastic language and artistic instruments would be that, joining his wife, the painter Irina Florescu, in the creative camps in which she constantly participates, she was “infected” from she and her colleagues. However, the real reason is much deeper, being related to his relatively recent preoccupations regarding the relations between sculpture, as a finished work, and the space around it.

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